Hello and Welcome!
Please understand that this website is not affiliated with the Prince Matchabelli Company any way, it is only a reference page for collectors and those who have enjoyed the classic fragrances of days gone by.
The main objective of this website is to chronicle the history of the Prince Matchabelli fragrances and showcase the bottles and advertising used throughout the years.
However, one of the other goals of this website is to show the present owners of the Prince Matchabelli perfume company how much we miss the discontinued classics and hopefully, if they see that there is enough interest and demand, they will bring back these fragrances!
Please leave a comment below (for example: of why you liked the fragrance, describe the scent, time period or age you wore it, who gave it to you or what occasion, any specific memories, what it reminded you of, maybe a relative wore it, or you remembered seeing the bottle on their vanity table), who knows, perhaps someone from the current Prince Matchabelli brand might see it.
Also, this website is a labor of love, it is a work in progress and is always being updated with new information as I can find it, so check back often!
Damas by Prince Matchabelli, launched in 1930, draws its name from both the legendary city of Damascus and the revered damask rose. This evocative choice imbues the fragrance with a rich tapestry of historical and botanical significance. Damascus, known for its ancient grandeur and its legendary history as a center of culture and trade, conjures images of opulence and mystique. The damask rose, celebrated for its exquisite scent and delicate beauty, adds a layer of floral sophistication and sensuality to the perfume’s narrative.
The name Damas likely evokes a sense of exotic allure and historical romance, referencing the storied past of the city as well as the rose’s distinguished place in perfumery. During this era, the fascination with the Middle East and its luxurious traditions was prominent, driven by archaeological discoveries and a general Western fascination with the exotic. The 1930s saw a wave of interest in Eastern cultures, and Damas would have resonated with the zeitgeist, embodying a sense of exoticism and elegance that was both aspirational and intriguing.
