Hello and Welcome!

Please understand that this website is not affiliated with the Prince Matchabelli Company any way, it is only a reference page for collectors and those who have enjoyed the classic fragrances of days gone by.

The main objective of this website is to chronicle the history of the Prince Matchabelli fragrances and showcase the bottles and advertising used throughout the years.

However, one of the other goals of this website is to show the present owners of the Prince Matchabelli perfume company how much we miss the discontinued classics and hopefully, if they see that there is enough interest and demand, they will bring back these fragrances!

Please leave a comment below (for example: of why you liked the fragrance, describe the scent, time period or age you wore it, who gave it to you or what occasion, any specific memories, what it reminded you of, maybe a relative wore it, or you remembered seeing the bottle on their vanity table), who knows, perhaps someone from the current Prince Matchabelli brand might see it.

Also, this website is a labor of love, it is a work in progress and is always being updated with new information as I can find it, so check back often!

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Showing posts with label 1928. Show all posts
Showing posts with label 1928. Show all posts

Tuesday, May 21, 2013

Queen of the Nile by Prince Matchabelli c1928

Launched in 1928, "Queen of the Nile" by Prince Matchabelli is a name that conjures visions of ancient Egypt, the majestic Nile River, and the iconic queens who ruled over this mysterious land, such as Cleopatra. The choice of the name "Queen of the Nile" was likely influenced by the fascination with Egyptology that swept through the Western world in the early 20th century, spurred by the discovery of King Tutankhamun's tomb in 1922. This event reignited a global obsession with all things Egyptian, influencing art, fashion, and literature. The name "Queen of the Nile" evokes a sense of timeless elegance, power, and seduction, qualities that would have been appealing to the modern woman of the 1920s who sought to embody a sense of exotic allure.

The name also speaks to the romanticism and mystique associated with ancient Egyptian culture. "Queen of the Nile" brings to mind images of regal queens adorned in gold and jewels, ruling over a civilization rich in culture and history. The Nile River itself, often referred to as the lifeblood of Egypt, symbolizes fertility, renewal, and the enduring flow of life. The name would have resonated with women of the time as it suggested an aura of strength, sophistication, and an exotic allure that was both timeless and unattainable.

During the 1920s, the allure of ancient Egypt was further popularized by the media. Films such as "The Ten Commandments" (1923) and the rise of the Art Deco movement, which often incorporated Egyptian motifs, contributed to the cultural zeitgeist. Books and plays that romanticized the lives of ancient Egyptian figures also captivated the public's imagination. Against this backdrop, "Queen of the Nile" would have been interpreted as a fragrance embodying the mystery, sensuality, and exoticism of ancient Egypt, offering a sensory escape to a world of ancient splendor.

The perfume itself, classified as a spicy oriental fragrance, would have been seen as a fitting tribute to its evocative name. Oriental fragrances were characterized by their warm, rich, and complex compositions, often incorporating exotic spices, resins, and florals. These perfumes were designed to be bold, luxurious, and opulent, qualities that aligned perfectly with the imagery of an Egyptian queen. "Queen of the Nile" would have stood out as a fragrance that captured the imagination, offering women a way to channel their inner Cleopatra—an embodiment of strength, beauty, and seduction.

Monday, May 20, 2013

Princess Norina by Prince Matchabelli c1928

In 1928, Prince Georges Matchabelli unveiled "Princess Norina," a perfume born from his deep affection and admiration for his wife, Norina. The context of this time period was marked by a fascination with romance and elegance, reflecting the enduring allure of royalty and aristocracy in society. It was an era when fragrances were not merely scents but also expressions of personal stories and aspirations.

Prince Matchabelli's choice of the name "Princess Norina" for the perfume was deeply personal and symbolic. By naming the fragrance after his wife, he sought to immortalize her grace, beauty, and perhaps the regal qualities he admired in her. "Princess Norina" evokes an image of refinement, sophistication, and a touch of fairy-tale allure, appealing to those who appreciated romance and glamour.

For consumers of the time, the name "Princess Norina" would have resonated with notions of aristocratic elegance and romantic ideals. It would likely have attracted those who sought to embody or admire the qualities associated with royalty – elegance, poise, and a hint of mystery. The perfume itself would have been perceived as a tribute to enduring love and refined taste, appealing to those who appreciated luxurious fragrances with a narrative behind them.

The name "Princess Norina" conjures images of grandeur, courtly elegance, and the timeless allure of royalty. It suggests a fragrance that is both delicate and commanding, evoking feelings of admiration, romance, and sophistication. Those who encountered "Princess Norina" would have likely been captivated by its romantic narrative and the promise of experiencing a scent that embodies the essence of a beloved princess – graceful, enchanting, and eternally captivating.